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Online Fieldwork in Conflict Affected Areas

When I started my collaborative ESRC funded PhD in September 2019, I imagined I’d spend many months traveling for my fieldwork. My research topic looks at nonviolent responses to armed conflict, and civilians protecting themselves and each other without the use of weapons in violent conflict. During the first 6 months of the programme, I planned fieldwork interviews and workshops, as well as participant observations in practitioner conferences. Ethical and security considerations limited where I could travel, but as my project was a collaborative one with an NGO in the civilian protection sector, I was able to make contacts and plans for travel relatively quickly. When travel restrictions were first imposed in March 2020, I naïvely assumed that I could wait it out; spend a few months on my literature review before travelling, as planned, for my in-person fieldwork. By September 2020, I realised this would not be possible, and I’d need to make alternative plans.

Zoom Interviews and Workshops

Like many other researchers in 2020, I took the decision to move my fieldwork online. While this limited who I would be able to speak to – access to stable internet connections can be tricky in conflict affected areas – I reassured myself that online research could also be an opportunity to reach more people who would either be too busy to meet with me in person, or located in areas I wouldn’t (for financial or ethical reasons) have been able to travel to. I also organised an online workshop with around 20 practitioners, as I was keen to hear conversations between practitioners in a more relaxed environment than one-to-one interviews. While it was relatively easy to schedule this fieldwork (in comparison to face-to-face), there were a number of difficulties of working online this way that I either had not anticipated, or had underestimated.

(Un)social Distancing

Interviews are always tricky, especially when using a qualitative interpretive methodology where I was interested in how people made sense of their work, rather than extracting objective information. Creating a relaxed environment online, I found, was even more difficult. Telling their stories of living and working in armed conflict was an emotional experience for a lot of my participants, and not being able to give them some privacy as I could in a coffee shop by going to order another drink was difficult and felt unnatural. During one interview, the interviewee had a Zoom filter on to hide their background, and I found it very difficult to get them to relax and talk about their own experiences, rather than their organisation. Around 30 minutes in, their dog jumped up onto their lap, which disrupted the background filter so they turned it off. They then showed me around their apartment, and I showed them around mine while we talked about working from home, loneliness, and our fears during the pandemic. When I restarted the interview, the atmosphere had completely changed. They were far more relaxed and conversational, and even went back to previous questions to tell me different stories relating to them.

I realised then that being able to create a shared space with people was an important part of building a rapport. From then on, I asked interview and workshop participants to along bring objects or photographs that described how they felt about their work, and to talk me through specific memories they had. While this didn’t fully replicate my being there with them, I learned a lot from how participants would describe their towns and villages, and how the spaces they worked in shaped their imaginations of it. These object allowed research participants to talk around difficult subjects, and to show me what it was often difficult to tell with words.

Other Challenges

Another important (if slightly obvious) challenge of online research is failing internet connections. I spent months carefully planning an online workshop with practitioners in South Sudan – even down the composition of each breakout group. When the time came, however, unstable internet connections across three continents derailed my carefully drawn plan. Participants were leaving groups quicker than I could readd them, and halfway through telling an important story, people’s internet would cut out and they would leave the call. Having research assistant’s there to handle some of the technical issues was a great help, but having to abandon a plan I had spent hours agonising over was scary. I made the decision to only focus on two of the four topic areas I had planned with more time for each discussion. This meant that even with the technical difficulties, groups still had time for some in-depth discussions. I also had participants send me photographs and voice-notes on WhatsApp, which I then shared with the group. While the workshop was stressful for me, it was a shared and often fun experience. It gave me the opportunity to follow up informally with participants, laugh about the technical issues, and have more relaxed conversations.

Top tips for online research:

  1. Plan:  Spending so many hours planning gave me the confidence to be able to think on my feet and improvise, without having to consult my plans and notes, as I’d learned them by heart
  2. Abandon the plan: While it might seem scary, knowing when to abandon the plan and improvise is important, because you can never foresee every possibility. Some of my best research findings came this way
  3. Keep a diary: Keep a research diary after every interview/ workshop/ conference/ piece of research you do. I find taking a walk and recording a voice-note on my phone straight after allows me to decompress. Even small reflections that you notice at the time but would usually forget can turn into important ideas if you keep a note of them.
  4. Ask your participants what they want: While planning my workshop, I had many exchanges with participants about how best to design the session. Taking photographs worked really well for some interview participants, but could be dangerous for others so finding multiple ways for participants to engage (beyond traditional interviews) is more inclusive.

Although my research has definitely turned out differently to how I’d planned it in a pre-Covid world and online research has been a challenge, it has also allowed me to interview participants in many more projects than my initial plan of three case studies. It also gave me the opportunity to get creative in my research methods. After two pandemic years I was used to improvising when things didn’t go quite right in my workshops and that’s something that will be useful in all future research. I’m hoping to follow up with people in person after completing my PhD but I will keep hold of some of my online methods, and always ask people to bring along objects that represent themselves. My research didn’t go as planned, but Covid has taught us that nothing ever does!

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Creative practices of research and practices of welcome for refugees and asylum seekers in rural Wales.

 

I am researching practices of welcome for refugees and asylum seekers in rural Wales – which often centre on activities such as cooking, walking, dancing, events, and outings. It looks at how people encountering each other through these groups, connect across very different experiences of migration and of language, and very different senses of familiarity with being in rural Wales, and how they make meaning and tell stories around migration, welcome and belonging through the activities they participate in.

I am exploring the idea of seeing these activities as ‘literacies of doing’ and how this relates to language understood by Pennycook, Simpson and others as a social participation. I’m interested in how communicative repertoires of both spoken and unspoken language, are assembled in improvised and creative ways and how this can shift away from the dominance of English language seen as a fixed entity, and competence in it used as signifier of belonging and test for citizenship. As the study progresses, ideas around language seem to be as significant in the research practices as they are in the encounters of welcome themselves, and so I’ve become interested in the interplay between the two.

For one case study I re-connected with some participants for a project based on their experiences of staying in a domestic, home environment here in a village in rural Wales.  As we couldn’t meet, we created and exchanged postcards.  Postcards worked as small, easily available, mobile objects carrying meaning through a combination of image and a short chunk of text, enabling people with a wide range of language and literacy skills in English to participate. I was struck by Pennycook (2010) using the example of writing a postcard to elaborate on the idea of language as a social practice, as ‘a set of bundled activities There is the obvious moment of writing the card – but it’s also about images, feelings, knowledges, memories, anticipations, connections between people and ‘multifaceted relations to place’ (Pennycook 2010 p3).

Other communicative practices grew around the postcard exchange – a WhatsApp group and a creative card making Zoom session enriched the repertoire of resources available for a shared language of participation. Boundaries between spoken, written and visual language, working with technology and with paper, being in physical and digital space, were broken down as people seemed to combine and switch frequently and easily between them. The card I made was of the Zoom screen. 

There was something, for me, particularly affecting about the material aspect of the postcards, the textures, the mark making, the packing and unpacking and the unexpected intimacy of handwritten text. As these objects moved between us they narrated our experience in a different mode to the immediacy of spoken dialogue. There were pauses while we waited for a reply, time to dwell on cards received and consider our response. We had a chance to say things that we didn’t say at the time of the encounters we shared. 

The current phase of research is with a local Town of Sanctuary group I’m involved with. Conversation Café is a weekly meet up originally organised as a space for families resettled here to practice their English. Two of these sessions were used to do some making  with images and text, based around people’s experiences of the Town of Sanctuary activities. I guess I was mistakenly hooked on what would be produced, while actually, what was happening in the room around the making was what I needed to pay more attention to. As Hawkins puts it – ‘sitting with the process rather than the output’. 

The collage on the left shows pics of the making and some of the finished work, but threaded between the images, I’ve noted the live conversations and actions running through the practice as, rather than incidental, these seem just as significant as the images that we were aiming to produce. 

Without trying to make it fit too neatly, I would say that some of the creative research methods and experiences echo what happens in the interactions of welcome which are the focus of the research. The assembling of improvised communicative repertoires of spoken and unspoken language through creative practices of ‘doing’ takes place in both. Some of the ideas that circulate around both are to do with the way connections and meanings are formed through a mix of deliberate and improvised activities and the significance of the incidental as well as the planned. This links to questions around how stories emerge from practices that are more organised, controlled, and reflective or more chaotic, immediate and spontaneous. So, when thinking about ways in which narratives about migration welcome and belonging are created through practices of welcome, it seems important to pay attention to what has come up through the process, not just the results.

Overall, I’m looking for ways to piece things all altogether. I’m drawn to using fragments, mosaics, patchwork; intersected or layered with language. I think this also reflects what happens more generally in the encounters of welcome themselves, not just this research context – the spaces where spoken and unspoken language practices blend in small scale, quite transient fragments of people’s lives. 

This collage is one I made from some of the material produced in the postcard project with fragments from the text overlaying the images. I’m hoping to assemble the collection of cards from this project into a small mobile exhibition, firstly here in the village hall in Llanvapley. I’ve found myself thinking ahead to how they could be arranged or assembled – thematically, or as conversations. I considered whether to indicate the authors of the cards as refugees, other transnational migrants, volunteers, workers, researcher, or combinations thereof or leave them completely uncategorised. This visual and spatial thinking has been helpful in considering how to talk and write about the project – to narrate the human stories circulating around the cards as artefacts. Trying to find ways to let the cards speak for themselves but also extend the conversation through engaging with theory and scholarship around mobilities, welcome, belonging, and rurality. But obviously I need to shape things into a PhD study too, so I guess I’m also looking for a suitable language practice and communicative repertoire myself, in order to do that, and to do justice to what participants have produced.

Bibliography

Hawkins, H. (2019) Geography’s creative (re)turn: Towards a critical framework. Progress in Human Geography 43(6) 963-984

Pennycook, A. (2010) Language as a Local Practice Routledge, Oxon, NY 

Pennycook, A. (2012) Language and mobility: Unexpected places. Multilingual Matters Bristol, Buffalo, Toronto

Simpson, J. (2015) English language learning for adult migrants in superdiverse Britain. In James Simpson & Anne Whiteside (Eds) Adult Language Education and Migration Challenging agendas in policy and practice Ch 15 200-2013 Routledge, NY and Oxon

You Got Your PhD With THAT? (Part II)

Oh, hello, there! You look like I know you from Part I of this post? If not (a) your face is awfully familiar to someone else and (b) you might want to go there. It would make the experience of reading what follows here more…coherent? Enjoyable?

More like the author intended, anyway. For those of you whose reading skills have already been tested in part I, this is – unsurprisingly – the sequel to your adventure, called: Part II Continue reading

‘I know what I want to say, but I just can’t write it down!’ – Look like a familiar trope? Unless you are of the rare breed of (novice) researchers, who just happens to be an erudite word artist, you might find that ‘writing a thesis’ is much more than ‘just writing stuff down’. That is, I would argue, in large parts due to the idea of what a ‘thesis’ is supposed to look like, i.e. (implicit and explicit) conventions on how to format and formalise ‘outcomes’ of successful PhD research. Such premeditated norms, however, function arguably less as orientational guidelines and more like incredibly high bars to jump over, as part of a somersault through the proverbial burning loop of tight deadlines and inexperience. Even with growing experience, such norms influence research dissemination forms a.k.a. ‘outputs’ at later research stages with similarly stress-inducing consequences.

This blog post suggests (and hopefully incites) questioning the established Modus Operandi of ‘disseminating research findings’ or ‘sharing knowledge’. In such a ‘writing against writing norms’ spirit, I refer anecdotally to my PhD thesis that is a Live-Action Role-Play (LARP) to make several points about unconventional research methods and their possible usefulness. But just to take off the edge straight away: Yes, I did get my title with that. Continue reading

Creative methods for the not so creative

Using creative methods in qualitative research is not a new practice. There is a huge amount of variability in what ‘creative methods’ entails. This can include asking participants to take photos (Croghan et al. 2008), draw (Bagnoli 2009), make timelines (Mazzetti and Blenkinsopp 2012) and even creating scenes using children’s sand-trays (Mannay et al. 2017). Even though creative methods were taught during my Masters degree, the technique still felt intimidating.  I regarded it as being more suited for those with artistic temperaments and my creative speciality tends to be drawing stick figures. Continue reading

Using Performance in Research

This blog article outlines the use of performance – namely public walks and small dramatic interventions – as part of research methodology and practice. This article is supported with links to a short video made as part of this work and supported by the 2019 ESRC Festival of  Social Science. At the conclusion we offer theory that performance supports research practice of generosity and open engagements. Continue reading

XML mark-up: an annotation tool for discourse analysis

Working recently on a critical discourse analysis project that required annotation of sentencing remarks from UK judges, our team were introduced to the practice of XML mark-up. Manual XML coding was used as a way of recording the different representation strategies used by the judges when referring to the convicted offenders (Van Leeuwen 2008). This blog delves into the theory behind the annotation method to explain how manual XML mark-up contributes to the linguistic research process. Continue reading

The Challenges of Conducting School-Based Research

Prior to being awarded an Economic and Social Research Council (ESRC) Wales Doctoral Training Centre (DTC) Studentship, I worked as a Research Administrator at the Centre for the Development and Evaluation of Complex Interventions for Public Health Improvement (DECIPHer), Cardiff University. DECIPHer brings together leading experts from a range of disciplines to tackle public health issues such as diet and nutrition; physical activity; and tobacco, alcohol and drugs, with a particular focus on developing and evaluating multi-level interventions that will have an impact on the health and wellbeing of children and young people. Continue reading

In Defence of Pragmatism: Less a ‘Get Out of Jail Free’ and more a ‘Community Chest’

For myself, undertaking a ‘Research Methods’ MSc was my earliest introduction to the ontologies and epistemologies we hold as individuals and researchers. It can be intriguing and exciting learning about the intrinsic views we hold regarding the nature of the world (Ontology), and what we deem as acceptable knowledge (Epistemology). However, during this time I found myself at a crossroads, agreeing with varying aspects of different ontologies and epistemologies, seeing a place for both positivism and interpretivism, especially when different research questions are posed. Continue reading

Including the temporal elements of experiences

Capturing the temporal elements of individuals’ experiences  – that’s something I am setting out to do. I really hope I can achieve it! I am a first year PhD student and this blog post piece is about my plans to use a longitudinal qualitative design, primarily using interview-based techniques. My project is about educational experiences for forced migrant parents as they go through the asylum process in Wales. (The term ‘forced migrants’ means, for the purposes of my work, asylum seekers and refugees.) Continue reading